IO #2 -- Jo-Ann Archibald, Q’um Q’um Xiiem (Sto:lo)

[radiantfracture]

For Indigenous History Month, an imperfect offering: some posts about Indigenous authors who have inspired my work and the students I teach.

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(Photo credit Alex Nguyen)

Joanne Archibald, Q’um Q’um Xiiem (Sto:lo)

Last week and this week some colleaguefriends and I are reading Jo-Ann Archibald’s Indigenous Storywork: Educating the Heart, Mind, Body and Spirit (2008), a book that has been foundational to my approach to teaching Indigenous literature and oratures — and that I would like to underlie my approach to teaching everything.

Archibald is of course part of a larger discussion among Indigenous thinkers about what oral knowledge is and how you do philosophy with it and in it -- Basil Johnston among them.

Archibald's Indigenous Storywork is a book directed specifically at educators and researchers. There are quite a few books now about Indigenizing and decolonizing methodologies -- my sense is that this is among the first, but I am not an expert. She is the one who coined the word "storywork" (3).

In the book, Archibald explores, but more importantly models, good practices in reading, researching, teaching about, and teaching with traditional stories.

What I mean is that she doesn't just list principles: she describes her whole process of thinking, interacting, asking, being, listening, reflecting, returning.

Inescapably, although we start from the idea of talking about traditional stories, if we are thinking about that in a serious way, it leads us towards a different paradigm of education, one that is embedded in relation -- not just ways of knowing, but ways of being ways of acting in the world.

Foundational to Archibald’s approach is the truth that knowledge can’t be separated from the relationship and situation in which it is transmitted.

To talk about traditional stories is always also to talk about the foundational philosophies of Indigenous cultures, which are -- if I am understanding Archibald correctly -- active philosophies, applied philosophies. That is, to study it is also to do it, or you’re not really studying it.

We talked Friday about many of her ideas, and especially a lot about teaching literature in relationship and as relationship, rather than as an object of study.

When I think about how to respond in my own practice to the truth of the violence “education” has perpetrated in this country — one small thing that comes to me is to try to be the opposite kind of teacher to those who collaborated in that violence — to be instead the kind of teacher who sustains life.

Archibald has a lot to teach about that.

I recommend this book to those, like me, travelling the long road of trying to decolonize our teaching and research practice.

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Note: You get a few more notes than Instagram because I perceive this format as more spacious. This mixes in some of my introduction from the book group with the Insta post.

I was lucky enough to see Archibald honoured at the STENISTOLW conference in, I believe, 2017.

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Comments

[sabotabby]

I'm really excited to read this book, after reading some of her articles and watching a bunch of her videos.

Her ideas have an intuitive appeal for me—I'm drawn to stories and spaces about stories because of the connection and relationship-building. Whenever I read a book and I have any kind of emotional reaction to it, I am driven to immediately discuss it, find other people discussing it, interpret it, and so on. Oral storytelling is based on this approach by design.

[radiantfracture]

I think you'll really like it and I'd love to talk about pretty much every sentence with you.

[watersword]

I'm really enjoying this series of posts, thank you. My library hold list is several books longer already.

[radiantfracture]

I'm so glad!

[derien]

I need to look for this work.

[radiantfracture]

This one is a little trickier to find, but so worth it. I will say I'm understanding a lot more on the second reading than I did on the first.