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radiantfracture: Beadwork bunny head (Default)
radiantfracture

June 2025

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radiantfracture: a white rabbit swims underwater (water rabbit)
I need something to look forward to in the mornings, this February. A reason to get up other than the material insistence of the body.

I thought about trying to write a poem a day, but a poem -- a poem that makes me happy, anyway -- is a particular mood. So I thought: what's the easiest possible thing? And that would be some kind of description. A glimpse.

* * * * *

In the thirteenth room, the windows look out on a wide green lawn. It's raining, and the props of some game have been abandoned. It might be croquet, except that the mallets look more complicated and, if possible, more menacing.

In the distance, two ranks of heavy trees converge like green hands encircling the lawn. Beyond is a hazy gray sky, as though the ground drops away suddenly at the edge of the grass. Sometimes a bird crosses the empty space, a tiny black flaw like a fleck of ash, or a golden one like a spark. A conflagration of birds, burning just out of sight.

These grounds are not visible from any other window, and no doorway lets out onto them.

One pane of the window has been broken and repaired with a square of black cardboard. Removing the cardboard reveals the howling void beyond. I do not recommend it.

The room smells of dust and brick, extinguished fires, ozone, the jug of water on the mantel of the empty hearth, and an animal, perhaps a dog.


* * * * * *


You can tell by the style that I have been re-reading Piranesi.

§rf§
radiantfracture: Beadwork bunny head (Default)
Also from today's session -- a little part-documentary, part-fantasy born of the snowstorm.

* * * * * *

The daytime snow was blue and gold, not white at all, but polarized and luminous. And when night fell, it wasn’t dark. The snow’s trillion tiny mirrors, and the low massed clouds, and the light pollution of course, collaborated to make the street almost as bright as it was in the afternoon, but closer, almost an interior, the inside of a long low tunnel of ice.

Our area has poor street lighting, poles too far apart and too tall, lamps often burnt out, so the night before winter solstice was brighter than any summer night. This made the winter seem like a time not of darkness but of evening things out, a reversion towards the mean.

The city bought those flawed bulbs everyone is talking about, the ones that turn purple as they age. They dyed the street a pale artificial violet. It was beautiful. It made you smell perfume in the cold air, lilac and lavender, scents of spring and late summer.

People trod up and down the gritty ruts in the snowy road, so pleased with the job they’d done shoveling the sidewalk that they didn’t want to walk there. Only a few houses had that bright festive smear of blue or green from thrown-down road salt. You assumed they needed to do it, but you worried about the animals.

Like the yearling deer that came high-stepping delicately among the drifts, swinging her head in perplexity, or the small black dog like a liquid shadow, a little splash of dark water, streaming towards home.
radiantfracture: In B&W, a man with touseled hair wrestles an alligator. Text reads "Wresting with my Muse, obviously" (writing)
I write things as prose and then people call them poems, so I might as well split the difference and call this a prose poem. That way, I can have written something for poetry month.

The prompt was a poem called "Talking to Ourselves" by Philip Schultz.


* * * * * *

I have always talked to myself, always in both senses, as long as I can remember and continuously. I try to manage it in public, but earbuds are a problem. Hearing loss is a problem. Anything that makes me forget for a moment is a problem. It’s like being the only non-telepathic person in a city of psychics.

My ex’s landlady called it “externalized speech.” She said very young children do it when they’re learning – I forget what. Language, self-regulation.

When cell phones became universal, I was relieved because now everyone sounded like they were talking to themselves all the time, and I had a cover, however flimsy; I could hold up my phone or just my hand in a phone shape, and pretend I was speaking to someone else, even if the only thing I’d said was “I really want someone to love me,” fifteen times in different voices.

Sometimes I’m generating dialogue, for writing or for life. If I am anything, I am a dialogue, a continual inquiry into what I think I might mean.

Lately more people seem to sing along loudly to their headphones and not worry about who can hear. When they were children, somebody told them to sing, to express themselves, and not to care what other people thought. I wish they cared slightly more. Or maybe I just resent how much more self-regulating I’m doing than they are, how much harder I am working to be quiet.

In the hospital where my brother went as a baby to have his heart condition operated on, there was another child, one born with her heart on the outside of her body. She was tiny, but they operated and put her heart inside, and she lived.

I’m like that, but my mind is on the outside, in my mouth, in the air, streaming out and falling back into my own ears, so I can recognize it.

* * * * * *


{rf}


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