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radiantfracture

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Jun. 21st, 2023

radiantfracture: Beadwork bunny head (Default)
The weather busted out the sun for the solstice after all, past a week of June dreary. There he is, warming the air, acting like an expected guest instead of a surprise visitor.

It's a bit silly to do this every year, since the numbers are always going to be the same -– but then again, the length of the longest (or shortest) day does vary a tiny amount depending on the wobble of the Earth, and there's something charming in that.

Here's this year's wobble:

Sunrise today: 5:11 am
Sunset today: 9:18 pm
Daylight: 16 hours, 7 minutes
Civil twilight: 1 hour, 24 minutes
Nautical Twilight: 1 hour, 58 minutes
Astronomical twilight: 3 hours 51 minutes
True night: 40 minutes

How about you?

* * * * * *

And some summer poems. I have not quite found the poem I want for this summer, but these are a good start.

Mary Oliver will have to forgive me the arrangement on the page, which is approximate at best.


Midsummer, Tobago
Derek Walcott

Broad sun-stoned beaches.

White heat.
A green river.

A bridge,
scorched yellow palms

from the summer-sleeping house
drowsing through August.

Days I have held,
days I have lost,

days that outgrow, like daughters,
my harbouring arms.



Little Summer Poem Touching the Subject of Faith
Mary Oliver

Every summer
I listen and look
under the sun's brass and even
into the moonlight, but I can't hear

anything, I can't see anything --
not the pale roots digging down, nor the green stalks muscling up,
nor the leaves
deepening their damp pleats,

nor the tassels making,
nor the shucks, nor the cobs.
And still,
every day,

the leafy fields
grow taller and thicker --
green gowns lofting up in the night,
showered with silk.
 
And so, every summer,
I fail as a witness, seeing nothing --
I am deaf too
to the tick of the leaves,

the tapping of downwardness from the banyan feet --
all of it
happening
beyond any seeable proof, or hearable hum.

And, therefore, let the immeasurable come.
Let the unknowable touch the buckle of my spine.
Let the wind turn in the trees,
and the mystery hidden in the dirt

swing through the air.
How could I look at anything in this world
and tremble, and grip my hands over my heart?
What should I fear?

One morning
in the leafy green ocean
the honeycomb of the corn's beautiful body
is sure to be there.

* * * * * *

[ETA]

Walcott's assonance in those last lines -- matching lost and daughters, harbouring and arms. And care as harbour in an island poem.

I do not share Mary Oliver's trust in the ripening of things, what with Monsanto, et al., but I liked this stanza very much:

And, therefore, let the immeasurable come.
Let the unknowable touch the buckle of my spine.
Let the wind turn in the trees,
and the mystery hidden in the dirt


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